The Bourne Identity, Robert Ludlum

Title:		The Bourne Identity
Author:		Robert Ludlum
Rating:

Published in 1980, The Bourne Identity tells part of the story of Jason Bourne, a man who, well... this gets a bit complicated.

First of all, the book and the movie of the same name, while related, tell very different stories. I have a fascination with the conversions of novels into movies, and it was only after I watched the movie (9 years after it was released) that I bothered to track down and read the book, mostly to see how it had been converted into a movie.

Both the movie and the book center around an individual suffering severe amnesia who gradually discovers his past. Some of the other characters share names between the book and the movie, but the story arcs are very different.

In the book we learn that Jason Bourne is part of a plot to remove a master assassin named Carlos. He has to figure that out of course, thanks to the amnesia. As in the movie there is a woman, Marie, who helps him, though in the book she's an expert in international finance instead of a student.

Oddly - and rarely, in my experience - the movie may actually be better than the book, though it's a close thing. In the book I didn't buy the relationship between Bourne and Marie. She fell for him too easily given their "introduction" and nothing in his character made me think he loved her, even though those words were used. Early chapters bogs down in needless detail about certain financial transactions. Later chapters moved along better, but the details of some of Bourne's history got hazy, so things weren't perfect there either. And, frankly, Carlos seemed too good - and too powerful - to be true.

That being said, Bourne himself has a less nasty past in the book than he does in the movie. He feels a bit cleaner here, and possibly a bit more likable. The movie, while being more up to date in many ways, gives Bourne an uglier background, one where his motivations and origin are a lot more gray than white. It then promptly sugar coats it, though, leaving the audience happy and probably not thinking about it too much.

I guess the book is worth reading. Ludlum did get some things right, but it's not perfect.

Hiding The Elephant, Jim Steinmeyer

Title:		Hiding The Elephant
Author:		Jim Steinmeyer
Rating:

Hiding the Elephant discusses the golden age of magic, an era starting in the mid 1800's and ending somewhere around 1920. Magic shows were a major form of entertainment, the egos of the performers were huge, and they fought with or spied on each other with ferocity. And yet there was something gentlemanly about the occupation that clings to it even today.

Steinmeyer gives us a cast of about twelve characters plus supporting parts that collectively show what was going on during the times. He focuses loosely on optical illusions, particularly their history and development, but he tells the story of these magicians as well.

You will learn some of the secrets here - how a particular levitation was performed, for example - but giving away those secrets isn't the author's intent. The people are what matter. And yes, in the end we do learn how Houdini made an elephant disappear, but much more interesting is Houdini himself, and all the others.

If you like stage magic there is a lot to recommend this book. Steinmeyer knows the history in depth and shares it well. If there is a problem it's that at times he tries to share too much, and sometimes the path of the story gets a little lost.

Still, this is an excellent introduction to the time, the magicians, and the techniques they used. Recommended.

Every Living Thing, James Herriot

Title:		Every Living Thing
Author:		James Herriot
Rating:

The final book in the series whose titles are based on the famous poem, this is more vintage Herriot. Nearly all positive, warm stories that have animals at the center.

Some consider these books way too sweet, but I enjoy them. It's good to know that someone else out there cared like this.

Recommended!

Against All Things Ending, Stephen R. Donaldson

Title:		Against All Things Ending
Author:		Stephen R. Donaldson
Rating:

This may be among Donaldson's best, though I see on Amazon that the reviews are mixed. This is book three of four in The Last Chronicles of Thomas Covenant, and does what it needs to quite well.

The Last Chronicles tell a very large tale, wrapping together the entire history of the Land - and the universe it exists in - to, it appears, bring the story of Covenant, Linden, and Lord Foul to a conclusion. The first two volumes in the series set the stage, introduced the characters, and - Donaldson being who he is - put those characters under tremendous stress.

Finally we start to see some things being resolved in Against All Things Ending, though not nearly everything. And the final resolution of the story is still unclear given what has been written so far.

Donaldson's writing is meticulous, as always, and he is prone to using words most of us haven't encountered. As a result, this book - and, indeed, the entire series - is not for fans of typical, lightweight, modern fantasy. His descriptions are painstakingly vivid, he's hard on his characters, and on the reader. Some people just won't like it.

But I do, and I can heartily recommend this book, though an argument could be made for waiting until the last volume is published so you can read them all in one fell swoop, without year long gaps in the story.

The Rise Of Endymion, Dan Simmons

Title:		The Rise Of Endymion
Author:		Dan Simmons
Rating:

Well, I'm done with the Hyperion series now, and I'm glad.

The Rise Of Endymion wraps up the Hyperion books for good, or so I hope. It's not that it's a bad book, but it could have been so much better.

Slow to the point of plodding at times, we're told about character development rather than seeing it, and quite a few things are very predictable.

I've called this book "OK" purely because if you've gotten through the first three in the series you'll probably want to read this one to learn the bits of the ending that you don't already know. That said, it's not all that well written.

A major problem that inhabits all four volumes is that Simmons lets his imagination run way ahead of what he's already written. He created a particular universe in Hyperion, changed a couple of the fundamentals in The Fall Of Hyperion, changed a lot of the fundamentals in Endymion, and a few more in The Rise Of Endymion. Effectively he's rewriting the rules of the game - his laws of physics and rules of behavior - on the fly. Changing even one rule like that in the middle of a series is difficult to do well. Your readers tend to lose their willing suspension of disbelief when you pull that stunt. Simmons does it so many times you just start to give up. There are no touchstones you can return to here.

In summary, I think the original Hyperion is a pretty good book, but it has no ending, and the three that follow it get progressively less well written. It's a shame, really. Hyperion has such promise.

Endymion, Dan Simmons

Title:		Endymion
Author:		Dan Simmons
Rating:

Endymion is the first book in the second part of the Hyperion series. In it Dan Simmons takes up the story of Hyperion, some of the characters from the first series, and (of course) the Shrike some 200+ years after the first series.

Religion takes an even thicker role here than it did in Hyperion and The Fall Of Hyperion, and much of the story is a travelogue, with little in the way of explanation for why the characters are traveling where they are. In fact, they all just kind of accept apparently random travel for no good reason, which got on my nerves.

In truth, though, several things seem off here. First of all, Simmons takes some major departures from things he setup in the first Hyperion novels. Flinging aside major characters - like the new pope - with reckless abandon, and recasting events in new and entirely unexpected ways. Going so far, in fact, as to basically tell us that much of what we learned in the first two books was wrong, misleading, or outright lies told by characters there.

When combined with the oppressive presence of Catholicism and the seemingly pointless travels of the characters, it got a bit old, and I even considered putting it aside. In the end, though, a couple of minor characters - the Shrike and Nemes - kept me from doing so. Well, that and the fact that I was traveling and needed something to read where I was at the time.

Sadly, Simmons's main hero - Raul Endymion - is both boring and a bit dimwitted. I'd rather he'd focused more on Aenea or A. Bettik.

And yet again we have a cover featuring a two armed Shrike. Where was the editor during the process of getting these books out? Nonexistent, apparently.

I have some reservations - some of which may or may not be resolved by the final book in the series, The Rise Of Endymion, which I am reading now - but fans of Hyperion will probably want to read it.

The Fall Of Hyperion, Dan Simmons

Title:		The Fall Of Hyperion
Author:		Dan Simmons
Rating:

The Fall Of Hyperion completes the story started in Hyperion. In the first book the main characters - well, most of them anyway - got to the time tombs on Hyperion and big events are just starting to happen. You might expect the next volume in the series to pick up right there, but no. Simmons instead introduces us to an entirely new character and starts giving us his back story, gradually weaving it into with the original tale.

We eventually get the story of the last Shrike pilgrimage worked out, sort of. There are a lot of unanswered questions, though, and some less than entirely satisfactory story telling. It's not that I require everything to be wrapped up with a pretty, pink bow, but something seems to be missing.

I noted more instances where an editor would have helped, as in Hyperion itself, and the damn cover image still features a two armed Shrike, not the four armed one actually described in the novel. *sigh*

In all I am not quite sure what to make of this. It's good, but not great, interesting, but less than fulfilling. I wish Simmons had done more with it, but I can still recommend it.

Hyperion, Dan Simmons

Title:		Hyperion
Author:		Dan Simmons
Rating:

I first read Hyperion quite a few years ago. So long ago, in fact, that with my rust memory it was almost like reading it for the first time again. As I recall, I really enjoyed it the first time around. I remember thinking it was a great book. Really great. Sometimes it stinks getting older. This time I can call Hyperion a good book, but not a great one.

Simmons clearly has a lot to tell, and even having read it before I was still surprised that it's only half the story, completed in The Fall Of Hyperion. I found the characters interesting and the Shrike compelling, but I seem to be growing tired of the "journey as story" phenomenon. Why is it so hard to find interesting stories that don't include the main characters traveling vast distances? Here we watch the main characters travel by space ship, tramway, wind wagon, and on foot. I didn't object that much as I was reading it, but it did sometimes seem that moving the characters around was more important than the rest of the story. That got a bit old, particularly in hind sight.

If I have any real gripes, though, they are actually less serious. There were a couple of places where Simmons desperately needed an editor. A few sections of repetitive text and a mention of a checking account (yes, really), for example, bugged me. There were also some possible printing errors in my copy, but they might instead have been writing errors an editor would have found and removed. Editing seems to be a lost art these days.

Finally though, the biggest irritant for me is the cover art. The Shrike has four (4!) arms dammit! Why on earth (or Hyperion) do we have four volumes in this series and only the fourth finally gets that little detail right on the cover? What sort of nitwit artists did these covers without reading enough about what they were painting to get it right. Gah! (Yes, this is trivial, I know, but it's amazing how it bugs me now as I sit here with the books writing reviews.)

Anyway, if you can get past these few oddities and irritants, Hyperion is a good tale. Be prepared to read Fall Of Hyperion too, though, or you'll never know how things end.

Paul Of Dune, Brian Herbert and Kevin J. Anderson

Title:		Paul Of Dune
Author:		Brian Herbert and Kevin J. Anderson
Rating:

I love the original Dune books by Frank Herbert. Well, I love some of them and appreciate the others for what they are, even if they aren't up the quality of Dune or God Emperor Of Dune, which are the best two in the series. Sadly, however, Herbert died with the series incomplete, and left a lot of questions unanswered.

His son, Brian Herbert, picked up the tale with co-writer Kevin J. Anderson, but rather than continue where Herbert left off, they have so far set their stories before or between the original novels in the series.

I'd read another one of their works some time back - Dune, House Atreides, I think - and found it flat. Recently, though, I was given a copy of Paul Of Dune and decided to try it, to see if the earlier work was just a poor example or actually reflected the reality of what Herbert and Anderson are writing. Sadly, it turns out to be the latter.

The Dune universe provides a rich tapestry to work with: compelling characters, fascinating settings, unique technology, incredibly complicated politics, and (of course) the spice. Herbert and Anderson, though, simply cannot find anything interesting to write about here. In fact, they barely find anything to write about at all.

The story has no focus, and we go from chapter to chapter wondering why any of it matters. It appears the time Paul Atreides spends consolidating power after assuming the role of emperor is pretty dull. If this wasn't fiction it might even be true that nothing of interest happened during this period, but Herbert and Anderson could and should have done better. Alternately, if they are following notes left by Frank himself, they should have skipped this part of Dune's history and written about something else. Something that matters.

Vacuum Diagrams, Stephen Baxter

Title:		Vacuum Diagrams
Author:		Steven Baxter
Rating:

Thanks to a lot of conflicts and two crazy jobs in the past year I am behind on my book reviews. That makes writing them a bit tougher as I have to root around in my entirely inadequate memory for what I thought of these things months ago when I finished them. I'll do my best...

Vacuum Diagrams is a collection of science fiction short stories that collect and intertwine the author's larger works in a (relatively) cohesive whole. Baxter actually pulls this off better than many - Asimov and Heinlein come to mind as examples of those who should never have tried such a thing - probably because he actually did have a relatively cohesive world view as he wrote his various works.

Nevertheless, while I found these stories acceptable, they really didn't stick with me. There's something about huge, sweeping tales - these cover the entire history of our universe, and introduce a second, if that makes any sense out of context - that makes me want more than just short stories to get them to stick.

If you've read other things by Baxter and enjoyed them then this may be your thing. You can see the overall view of the universe(s) he imagines here. For me, though, these were simply OK stories without enough glue to make them work overall.

The Big U, Neal Stephenson

Title:		The Big U
Author:		Neal Stephenson
Rating:

Another one for Jeremy, but this time only because of the college setting, not because of anything specific. In fact he's expecting only one book from me, not two. (That surprise will be spoiled now if he reads this... I doubt it, but with Jeremy you never know.)

Anyway... The Big U is a farcical view of college. The setting is a major urban university. The entire place is contained in one vast building - the plex - in which myriad crazy things happen. Jeremy will not recognize the place personally as his school is nothing like the one described here at a physical level. But the people, well, I hope he will have some laughs.

Stephenson's writing is light, even when things take a serious twist. His vision of human affairs in the vast place he describes is both funny and poignant. Things just happen here, usually with no repercussions. Pianos are thrown onto distant roofs, people are factionalized in crazy ways, drugs and booze run rampant, and actions rarely have any basis in reality.

Jeremy, I hope your college days are a lot better than this. Have fun, but stay sane my friend. And be sure to avoid the Crotobaltislavonians!

Doorways In The Sand, Roger Zelazny

Title:		Doorways In The Sand
Author:		Roger Zelazny
Rating:

As some of you may know, I teach stone carving. Something close to five years ago we had a high school student join the class. This was a new experience for me - the class is generally directed at adults - but Jeremy was a great addition. I learned a lot from him, and he added quite a bit to the classroom experience.

This year saw him graduate and go off to college. Over the years we've watched him get ready for this and now seen him leave. I always told Jeremy he should milk his college days as much as he can. If he needed 3 PhD degrees and a 20 year post doc, for example, he should do that, and all on his parent's dime. He says that won't happen, but in the spirit of the idea I am sending him a copy of Doorways In The Sand.

In it, the hero has managed to stay in college for something like 14 years without graduating. He gets close at times, but always changes majors or otherwise manages to escape. The reason is that his uncle's estate pays for his college education until he graduates, but doesn't contain a time limit. As you can imagine, Jeremy needs to read this. The USPS will deliver a copy to him shortly.

As books by Zelazy go, Doorways In The Sand is good, but not one of the greats. It's fluffier than something like Lord of Light, and lacks the grand sweep of the Amber Chronicles. Still, it's fun and well written. Definitely worth your time if you're into lighter SF.

The Agony and the Ecstasy, Irving Stone

Title:		The Agony and the Ecstasy
Author:		Irving Stone
Rating:

It's been months since I had the time for any reading. In fact, I was nearly finished with The Agony and the Ecstasy when the job started, and though I finished it shortly thereafter it has been a long time since I've posted here, so this review is long overdue.

All I can do now is recommend this book highly, particularly if you're a student of the arts or an artist.

Stone's research is good, and though I cannot tell you where he veered into fiction, I can tell you that I enjoyed this work a lot.

Michaelangelo is one of my favorites, and an inspiration to me as a sculptor. I learned a lot about him and his time from this book, and highly recommend it.

The Happiness Hypothesis, Johnathan Haidt

Title:		The Happiness Hypothesis
Author:		Johnathan Haidt
Rating:

This is a tough book to review. Early on Haidt had me hooked. I felt like he was heading in the right direction and that things were making sense. Then it got derailed. I suspect that was my fault, though. I choked on what I view as his overly generous and accepting position towards religion.

The first half or more of the book seems to be well supported in terms of research. If there's a problem there it's in Haidt's use of excerpts from various ancient sources - mostly religious - without a lot of context and background. That, for me, is something of a no-no, as quotations need to come with context if they are to be taken seriously. The Bible is a violent book when viewed as a whole, and extracting a few peace loving lines out of it doesn't change that, nor does it put those lines in the proper context.

But I got past that because it looked like Haidt was saying something like "Ancient source X says this semi-mystical thing Y. Modern research shows that Y is correct in the following way." (Sometimes Y was incorrect, by the way.) Given that presentation I let things slide.

Then, however, I got to the latter portion of the book and things just started to grate on my nerves. Haidt winds up making the claim that we are ultra social, somewhat hive minded organisms. Like bees in some ways. Now, I recognize that there are some interesting evolutionary drives, and maybe, in some ways, a few aspects of human behavior are similar to those of bees or ants, but we aren't all the way to a hive organism as I see it, and while I'm sure he wouldn't say we were either, he thinks the bits that are similar are a lot more important than I do, or than he justifies as far as I could tell.

And as he gets closer to these more speculative leaps the number of end notes and referenced studies goes down, just as the number of anecdotal reports goes up. (Note: I could be wrong about this. I'm documenting my response to this book, not writing a detailed study in which I count end notes, cited papers, and so on. Still, I think my conclusions are probably sound.)

In addition, Haidt - despite claiming to be an atheist himself - glosses over a bunch of problems with religion. Maybe they just aren't relevant to his conclusions, but I found the act bothersome.

I give him credit for trying to synthesize something of this scope, and there are useful bits in here. For example, he makes a good case that the question "What is the meaning of life?" is pointless. "How can I live a life full of meaning?" is a much better question, and he gives some help in here if you're stuck on that issue. Not a lot of detailed help, mind you - meditate, make use of cognitive therapy, or take Prozac is the gist - but enough to maybe get you talking to someone who can move you along one of those paths. If you decide you need to.

Overall I guess this book was OK. Not stellar, not life changing, at least for me, but OK. Maybe that's because I am (I think) a relatively well balanced person who is pretty happy most of the time. If you are perpetually unhappy you might find something more useful or meaningful here than I did.

A Perfect Spy, John Le Carre

Title:		A Perfect Spy
Author:		John Le Carre
Rating:

This one came off my shelf to make some room, as it's a moderately hefty hard back tome. My previous time with Le Carre has been OK, and I guess that's what I'd have to say about this one.

A Perfect Spy is essentially an exercise in back story and character development. In large measure, nothing really happens in here, and I found that a bit off putting. It wasn't terrible, but I did spend a bit of time wondering if anything - other than the rather predictable ending - would happen.

In previous books I've reviewed by Le Carre I've seen an odd problem: at times he randomly changes the point of view. It can be a bit bizarre to suddenly realize that we've gone from omniscient narrator to the limited point of view of some body guard. Thankfully I didn't note that in A Perfect Spy. Instead I had different problem.

The main character, Magnus Pym, has a somewhat split personality. In his role as narrator he regularly refers to himself as if he was someone else. This gets confusing and it took me nearly 100 pages to catch on. I kept wondering if there was some other character present that I'd somehow missed. Finally, though, I got it. I may be more than a bit dense - others might have recognized what was going on a lot faster - but it really slowed me down until I figured it out.

Other than that, I didn't really note anything all that good or bad. As I say, the ending was fairly predictable, but once you meet Pym and get the gist of where he is in life the ending is just about a given.

If you're into cold war spy stories you might enjoy this. If that isn't your bag, then you can probably give this one a pass.

Ringworld, Larry Niven

Title:		Ringworld
Author:		Larry Niven
Rating:

Ringworld is probably Larry Niven's most famous work, having won both the Hugo and Nebula awards back in 1970 when it was first published. My previous experience with Niven's work, though, has left me cold. He's a hard science fiction writer and his characters have been very flat, to say the least. I hoped that Ringworld would be different.

It isn't.

It appears as though Niven had the idea for the ringworld and forced some characters and story together to give him a reason to write about the toy he'd invented. For me the result simply didn't work.

The toy itself - the ringworld - is an interesting idea, but other than some math about dimensions and spinning it to create gravity, everything else about it is pure, unadulterated fantasy. There are all kinds of impossible things going on here in the guise of "science": impossibly strong and thin wire, materials impervious to just about anything, multiple forms of FTL travel, unexplained failsafe systems, life extending substances, stasis fields, transmutation of one material into another, alien species, etc. One or even a few of these things would be fine in a science fiction work, particularly with some background and explanation, but Niven piles them up thick and just keeps going.

In short, he made up anything needed to let him talk about the idea of the ringworld itself. Everything other than the ring - characters, physics, story - was essentially superfluous. If he was a better writer I might have suspended disbelief, but that never happened. Not once.

Even worse, there were several places where the writing is so bad - or the copy I have is so poorly transcribed from the original - that after rereading a few paragraphs several times I had to give up and move on. Some things just didn't make sense at all.

In other places, despite the fact that the words and sentences held together, Niven didn't adequately describe the situation or action. After a while you just wind up accepting that he's not going to explain things well enough to make sense and forget about it. Not a good sign.

For amusement you can look it up on Wikipedia and read about other technical problems. There are quite a few.

I don't know why this book won any awards. It's not very good. My perception of Niven as a writer remains unchanged and I will avoid his work in the future. Too bad.

Bear v. Shark, Chris Bachelder

Title:		Bear v. Shark
Author:		Chris Bachelder
Rating:

I have no idea now where the recommendation for this book came from, but I am afraid I am going to disappoint someone.

I had the same reaction to this that I have to some modern art, like a canvas painted all one color. I thought "I could write this. I could write a lot better than this guy did."

Nearly the entire book consists of very short (1-2 page) chapters describing the story of the Norman family as they travel to watch the second bear/shark battle. This is a parody of America, though, so while most of what we see is familiar, it's all deliberately exaggerated to the point of silliness.

In an attempt to heighten the effect, most dialog isn't quoted, characters talk past each other, and all kinds of events aren't really explained. Then end result is a ball of semi-related things that sort of make up a story, but a story without any reasonable ending. In fact, it's rather like the author couldn't come up with one, so he decided to leave it open and let the reader imagine his own.

In any case, I didn't find it funny, though others apparently do. It does contain a lot of social commentary, but only of the most blunt kind.

This is the author's first novel. I have no desire to read anything else by him, and I can't imagine why a publisher would spend money on this book. Not recommended.

The Black Hole War, Leonard Susskind

Title:		The Black Hole War
Author:		Leonard Susskind
Rating:

Some time back I read two books on string theory by Brian Greene. Both were interesting, well written, and managed to explain complicated physics in a manner that made them somewhat easier to understand.

It turns out that a lot has changed in physics since those books were written, or that those books don't cover a bunch of things going on in the field. The Black Hole War describes many thing Greene doesn't, but does so in passing, as it tells the story of a significant disagreement over the fate of information that gets sucked into black holes.

The resolution of that argument took a long time. Susskind describes a meeting in 1981 where Stephen Hawking made the claim that any information entering a black hole is lost forever. Susskind and Gerard 't Hooft were bothered by this - it violated a fundamental principle - and began trying to prove it incorrect. It took until 2007 before Hawking admitted he was wrong.

In those 26 years physics saw huge changes. String theory, among other things, made a big impact. But many other discoveries were made as well, and a lot of physicists were involved. Susskind describes all kinds of interesting physics in this book, and credits many other physicists with important discoveries that helped make his case.

Overall The Black Hole War is a good read, and it explores some fascinating ground, but there is a problem. Maybe it's that Susskind has too many things to cover to make his case, so he cannot cover individual topics in enough depth to make them clear. I suspect, though, that Susskind isn't quite as good at explaining these non-intuitive concepts as Greene is.

For example, a few hours after finishing the book I couldn't explain the holographic principle to my wife, and it's a key element of the proof Susskind is making.

Perhaps the failure is mine, or the material is so strange that it doesn't make sense to humans given the way we've evolved, but I think it could be described more clearly, even without resorting to the incredibly complicated math that backs it up. At least I hope so.

In any case it is clear that there is a lot of current physics that I don't understand, and didn't know was being researched before I read this book.

Recommended, but I hope that Warped Passages by Lisa Randall - when I get to it - provides a clearer explanation of at least some of the underlying physics.

James Herriot's Animal Stories, James Herriot

Title:		James Herriot's Animal Stories
Author:		James Herriot
Rating:

A very short collection of stories extracted from other books by Herriot, with some nice illustrations and a brief introduction by Herriot's son.

These are probably among the heart warming best from the entire series. Nice - particularly with the illustrations - but there's nothing really new here if you've read the other books.

The Robber Bride, Margaret Atwood

Title:		The Robber Bride
Author:		Margaret Atwood
Rating:

I didn't get this book. Of 466 pages it seemed as if 460 were back story, and there was little action of any kind. Instead we get a pseudo-drama, expressed in the thoughts and discussions of three women: Tony, Charis, and Roz. What little story we get revolves around a fourth woman, Zenia.

The three main characters are actually too well drawn. We don't need to know every little detail about their lives to understand why they might be reacting this way, but we get that detail in any case. And more. And still more.

Tony's a history professor with a specialization in battles. She's a fairly ineffective and self effacing person as well. Her real name is Antonia.

Charis is another ineffective character, but this time with no real talents she can earn a living from. She does, however, have a spiritual side that "works". Her real name is Karen.

Roz is a business woman - someone with power and money - but who is also hopeless in her own way. In this case it's her marriage she cannot manage. Her real name is Rosalind.

None of these characters has it all together. In fact, though they could each potentially be interesting in some sense, collectively I found them pretty annoying. They whine and worry but rarely do anything, and when they try they fail. Every time. Then they whine about failing. Roz's twin daughters are a lot more interesting than anyone else here, and they're only bit parts.

There might be something important about the fact that Tony, Roz, and Charis all operate under something other than their real names too, but if so I can't tell you what that might be.

Zenia is something else. She's a liar and a thief, and ruthless about getting whatever it is she wants - including the man each of the three main characters loves - but that's about all we learn of her. She's the central mystery around which the book is written and we never figure her out. Never.

The story is told mostly in flashbacks - sometimes nested - and it can be a bit hard to keep track of if you set the book down at the wrong point. Unfortunately I found it easy to set it down just about anywhere given the vast back story. Complicating matters, at least for me, is that I didn't really relate to any of the characters. They were either boring or irritating, but never become important or interesting.

The only reason I continued reading The Robber Bride is because I've read other work by Atwood and really enjoyed it. This one, however, just didn't work, at least not for me. It needed both something significant to happen and a resolution.

Oh, and I didn't like Charis's spiritual muck. Or rather, the fact that it "worked" in some way seemed wrong. If she'd believed in it but nothing had come of it, fine. Instead we get a couple of mystical but completely unexplained incidents that make no sense. Then again I'm less spiritual than most bricks, and such tripe is liable to irk me in any case.

Perhaps Atwood is making some feminist point, but if so I missed it, along with just about everything else.

If you want to read something good by Atwood, try The Handmaid's Tale, or Oryx and Crake. I'd skip this one.