The Bourne Identity, Robert Ludlum

Title:		The Bourne Identity
Author:		Robert Ludlum
Rating:

Published in 1980, The Bourne Identity tells part of the story of Jason Bourne, a man who, well... this gets a bit complicated.

First of all, the book and the movie of the same name, while related, tell very different stories. I have a fascination with the conversions of novels into movies, and it was only after I watched the movie (9 years after it was released) that I bothered to track down and read the book, mostly to see how it had been converted into a movie.

Both the movie and the book center around an individual suffering severe amnesia who gradually discovers his past. Some of the other characters share names between the book and the movie, but the story arcs are very different.

In the book we learn that Jason Bourne is part of a plot to remove a master assassin named Carlos. He has to figure that out of course, thanks to the amnesia. As in the movie there is a woman, Marie, who helps him, though in the book she's an expert in international finance instead of a student.

Oddly - and rarely, in my experience - the movie may actually be better than the book, though it's a close thing. In the book I didn't buy the relationship between Bourne and Marie. She fell for him too easily given their "introduction" and nothing in his character made me think he loved her, even though those words were used. Early chapters bogs down in needless detail about certain financial transactions. Later chapters moved along better, but the details of some of Bourne's history got hazy, so things weren't perfect there either. And, frankly, Carlos seemed too good - and too powerful - to be true.

That being said, Bourne himself has a less nasty past in the book than he does in the movie. He feels a bit cleaner here, and possibly a bit more likable. The movie, while being more up to date in many ways, gives Bourne an uglier background, one where his motivations and origin are a lot more gray than white. It then promptly sugar coats it, though, leaving the audience happy and probably not thinking about it too much.

I guess the book is worth reading. Ludlum did get some things right, but it's not perfect.

Hiding The Elephant, Jim Steinmeyer

Title:		Hiding The Elephant
Author:		Jim Steinmeyer
Rating:

Hiding the Elephant discusses the golden age of magic, an era starting in the mid 1800's and ending somewhere around 1920. Magic shows were a major form of entertainment, the egos of the performers were huge, and they fought with or spied on each other with ferocity. And yet there was something gentlemanly about the occupation that clings to it even today.

Steinmeyer gives us a cast of about twelve characters plus supporting parts that collectively show what was going on during the times. He focuses loosely on optical illusions, particularly their history and development, but he tells the story of these magicians as well.

You will learn some of the secrets here - how a particular levitation was performed, for example - but giving away those secrets isn't the author's intent. The people are what matter. And yes, in the end we do learn how Houdini made an elephant disappear, but much more interesting is Houdini himself, and all the others.

If you like stage magic there is a lot to recommend this book. Steinmeyer knows the history in depth and shares it well. If there is a problem it's that at times he tries to share too much, and sometimes the path of the story gets a little lost.

Still, this is an excellent introduction to the time, the magicians, and the techniques they used. Recommended.

Every Living Thing, James Herriot

Title:		Every Living Thing
Author:		James Herriot
Rating:

The final book in the series whose titles are based on the famous poem, this is more vintage Herriot. Nearly all positive, warm stories that have animals at the center.

Some consider these books way too sweet, but I enjoy them. It's good to know that someone else out there cared like this.

Recommended!

Against All Things Ending, Stephen R. Donaldson

Title:		Against All Things Ending
Author:		Stephen R. Donaldson
Rating:

This may be among Donaldson's best, though I see on Amazon that the reviews are mixed. This is book three of four in The Last Chronicles of Thomas Covenant, and does what it needs to quite well.

The Last Chronicles tell a very large tale, wrapping together the entire history of the Land - and the universe it exists in - to, it appears, bring the story of Covenant, Linden, and Lord Foul to a conclusion. The first two volumes in the series set the stage, introduced the characters, and - Donaldson being who he is - put those characters under tremendous stress.

Finally we start to see some things being resolved in Against All Things Ending, though not nearly everything. And the final resolution of the story is still unclear given what has been written so far.

Donaldson's writing is meticulous, as always, and he is prone to using words most of us haven't encountered. As a result, this book - and, indeed, the entire series - is not for fans of typical, lightweight, modern fantasy. His descriptions are painstakingly vivid, he's hard on his characters, and on the reader. Some people just won't like it.

But I do, and I can heartily recommend this book, though an argument could be made for waiting until the last volume is published so you can read them all in one fell swoop, without year long gaps in the story.

The Rise Of Endymion, Dan Simmons

Title:		The Rise Of Endymion
Author:		Dan Simmons
Rating:

Well, I'm done with the Hyperion series now, and I'm glad.

The Rise Of Endymion wraps up the Hyperion books for good, or so I hope. It's not that it's a bad book, but it could have been so much better.

Slow to the point of plodding at times, we're told about character development rather than seeing it, and quite a few things are very predictable.

I've called this book "OK" purely because if you've gotten through the first three in the series you'll probably want to read this one to learn the bits of the ending that you don't already know. That said, it's not all that well written.

A major problem that inhabits all four volumes is that Simmons lets his imagination run way ahead of what he's already written. He created a particular universe in Hyperion, changed a couple of the fundamentals in The Fall Of Hyperion, changed a lot of the fundamentals in Endymion, and a few more in The Rise Of Endymion. Effectively he's rewriting the rules of the game - his laws of physics and rules of behavior - on the fly. Changing even one rule like that in the middle of a series is difficult to do well. Your readers tend to lose their willing suspension of disbelief when you pull that stunt. Simmons does it so many times you just start to give up. There are no touchstones you can return to here.

In summary, I think the original Hyperion is a pretty good book, but it has no ending, and the three that follow it get progressively less well written. It's a shame, really. Hyperion has such promise.

Endymion, Dan Simmons

Title:		Endymion
Author:		Dan Simmons
Rating:

Endymion is the first book in the second part of the Hyperion series. In it Dan Simmons takes up the story of Hyperion, some of the characters from the first series, and (of course) the Shrike some 200+ years after the first series.

Religion takes an even thicker role here than it did in Hyperion and The Fall Of Hyperion, and much of the story is a travelogue, with little in the way of explanation for why the characters are traveling where they are. In fact, they all just kind of accept apparently random travel for no good reason, which got on my nerves.

In truth, though, several things seem off here. First of all, Simmons takes some major departures from things he setup in the first Hyperion novels. Flinging aside major characters - like the new pope - with reckless abandon, and recasting events in new and entirely unexpected ways. Going so far, in fact, as to basically tell us that much of what we learned in the first two books was wrong, misleading, or outright lies told by characters there.

When combined with the oppressive presence of Catholicism and the seemingly pointless travels of the characters, it got a bit old, and I even considered putting it aside. In the end, though, a couple of minor characters - the Shrike and Nemes - kept me from doing so. Well, that and the fact that I was traveling and needed something to read where I was at the time.

Sadly, Simmons's main hero - Raul Endymion - is both boring and a bit dimwitted. I'd rather he'd focused more on Aenea or A. Bettik.

And yet again we have a cover featuring a two armed Shrike. Where was the editor during the process of getting these books out? Nonexistent, apparently.

I have some reservations - some of which may or may not be resolved by the final book in the series, The Rise Of Endymion, which I am reading now - but fans of Hyperion will probably want to read it.

The Fall Of Hyperion, Dan Simmons

Title:		The Fall Of Hyperion
Author:		Dan Simmons
Rating:

The Fall Of Hyperion completes the story started in Hyperion. In the first book the main characters - well, most of them anyway - got to the time tombs on Hyperion and big events are just starting to happen. You might expect the next volume in the series to pick up right there, but no. Simmons instead introduces us to an entirely new character and starts giving us his back story, gradually weaving it into with the original tale.

We eventually get the story of the last Shrike pilgrimage worked out, sort of. There are a lot of unanswered questions, though, and some less than entirely satisfactory story telling. It's not that I require everything to be wrapped up with a pretty, pink bow, but something seems to be missing.

I noted more instances where an editor would have helped, as in Hyperion itself, and the damn cover image still features a two armed Shrike, not the four armed one actually described in the novel. *sigh*

In all I am not quite sure what to make of this. It's good, but not great, interesting, but less than fulfilling. I wish Simmons had done more with it, but I can still recommend it.

Hyperion, Dan Simmons

Title:		Hyperion
Author:		Dan Simmons
Rating:

I first read Hyperion quite a few years ago. So long ago, in fact, that with my rust memory it was almost like reading it for the first time again. As I recall, I really enjoyed it the first time around. I remember thinking it was a great book. Really great. Sometimes it stinks getting older. This time I can call Hyperion a good book, but not a great one.

Simmons clearly has a lot to tell, and even having read it before I was still surprised that it's only half the story, completed in The Fall Of Hyperion. I found the characters interesting and the Shrike compelling, but I seem to be growing tired of the "journey as story" phenomenon. Why is it so hard to find interesting stories that don't include the main characters traveling vast distances? Here we watch the main characters travel by space ship, tramway, wind wagon, and on foot. I didn't object that much as I was reading it, but it did sometimes seem that moving the characters around was more important than the rest of the story. That got a bit old, particularly in hind sight.

If I have any real gripes, though, they are actually less serious. There were a couple of places where Simmons desperately needed an editor. A few sections of repetitive text and a mention of a checking account (yes, really), for example, bugged me. There were also some possible printing errors in my copy, but they might instead have been writing errors an editor would have found and removed. Editing seems to be a lost art these days.

Finally though, the biggest irritant for me is the cover art. The Shrike has four (4!) arms dammit! Why on earth (or Hyperion) do we have four volumes in this series and only the fourth finally gets that little detail right on the cover? What sort of nitwit artists did these covers without reading enough about what they were painting to get it right. Gah! (Yes, this is trivial, I know, but it's amazing how it bugs me now as I sit here with the books writing reviews.)

Anyway, if you can get past these few oddities and irritants, Hyperion is a good tale. Be prepared to read Fall Of Hyperion too, though, or you'll never know how things end.

Paul Of Dune, Brian Herbert and Kevin J. Anderson

Title:		Paul Of Dune
Author:		Brian Herbert and Kevin J. Anderson
Rating:

I love the original Dune books by Frank Herbert. Well, I love some of them and appreciate the others for what they are, even if they aren't up the quality of Dune or God Emperor Of Dune, which are the best two in the series. Sadly, however, Herbert died with the series incomplete, and left a lot of questions unanswered.

His son, Brian Herbert, picked up the tale with co-writer Kevin J. Anderson, but rather than continue where Herbert left off, they have so far set their stories before or between the original novels in the series.

I'd read another one of their works some time back - Dune, House Atreides, I think - and found it flat. Recently, though, I was given a copy of Paul Of Dune and decided to try it, to see if the earlier work was just a poor example or actually reflected the reality of what Herbert and Anderson are writing. Sadly, it turns out to be the latter.

The Dune universe provides a rich tapestry to work with: compelling characters, fascinating settings, unique technology, incredibly complicated politics, and (of course) the spice. Herbert and Anderson, though, simply cannot find anything interesting to write about here. In fact, they barely find anything to write about at all.

The story has no focus, and we go from chapter to chapter wondering why any of it matters. It appears the time Paul Atreides spends consolidating power after assuming the role of emperor is pretty dull. If this wasn't fiction it might even be true that nothing of interest happened during this period, but Herbert and Anderson could and should have done better. Alternately, if they are following notes left by Frank himself, they should have skipped this part of Dune's history and written about something else. Something that matters.

Vacuum Diagrams, Stephen Baxter

Title:		Vacuum Diagrams
Author:		Steven Baxter
Rating:

Thanks to a lot of conflicts and two crazy jobs in the past year I am behind on my book reviews. That makes writing them a bit tougher as I have to root around in my entirely inadequate memory for what I thought of these things months ago when I finished them. I'll do my best...

Vacuum Diagrams is a collection of science fiction short stories that collect and intertwine the author's larger works in a (relatively) cohesive whole. Baxter actually pulls this off better than many - Asimov and Heinlein come to mind as examples of those who should never have tried such a thing - probably because he actually did have a relatively cohesive world view as he wrote his various works.

Nevertheless, while I found these stories acceptable, they really didn't stick with me. There's something about huge, sweeping tales - these cover the entire history of our universe, and introduce a second, if that makes any sense out of context - that makes me want more than just short stories to get them to stick.

If you've read other things by Baxter and enjoyed them then this may be your thing. You can see the overall view of the universe(s) he imagines here. For me, though, these were simply OK stories without enough glue to make them work overall.